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Proyecto Víbora

2008·España (sitio por confirmar), Spain·? status unknown·2 sources··to be verified

A monumental optical piece that snakes — hence “víbora”, viper — along both slopes of a concrete channel split by a thread of water. Black and white at ground level, but with the edges already splitting into red, orange and blue: the RGB chromatic aberration that would become his signature is here, more than a decade before the Sphere. One of his earliest large-format optical works.

Proyecto Víbora, 2008 — At night, painting the pattern on the bed of the channel.
At night, painting the pattern on the bed of the channel.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — Under the bridge: the piece advances along the canal floor.
Under the bridge: the piece advances along the canal floor.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — Aerial: the optical viper runs along both banks of the channel.
Aerial: the optical viper runs along both banks of the channel.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — Overhead view of the finished piece, signed «08».
Overhead view of the finished piece, signed «08».source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — Detail: the edge of each stripe splits into red-blue.
Detail: the edge of each stripe splits into red-blue.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — The whole, with the color constellations over the black.
The whole, with the color constellations over the black.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05
Proyecto Víbora, 2008 — Detail of the starred field and the stripes.
Detail of the starred field and the stripes.source: Studio Drive — FPSTUDIO archive · harvest 2026-07-05

The story

The Name, Already Doubled in RGB

Proyecto Víbora runs like a snake along both sides of a concrete channel split by a thread of water. It is black-and-white op art at monumental scale, painted at ground level, but look at the edges: each black stripe splits into a fine aberration of red, orange and blue — the same RGB registration error that years later would fill a spherical facade in Las Vegas. Here, though, everything is analog and freehand, with constellations of colored dots speckling the black areas. The “FELIPE PANTONE 08” signature dates it as one of his earliest large-format optical pieces. (Exact site and date pending confirmation with the artist.)

source: Drive del estudio — archivo FPSTUDIO · harvest 2026-07-05

sources
  • Relato de Felipe Pantone, 2026
  • Drive del estudio — archivo FPSTUDIO · harvest 2026-07-05

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