Integration System
2018 — ongoing · in the studio registry: 2018–today
The name says it all: works conceived to integrate into their surroundings. That is why they ask for a white wall behind them — not as an installation requirement, but as part of the piece: the white is not a frame, it is the space where the work breathes and completes itself.
Each composition is born from the superposition of pure colors that multiply against each other and generate new colors at their intersections — the principle of the subtractive model (CMY) taken to the scale of an entire composition. The result is an unmistakably digital aesthetic, even though it is made with paint on a physical support: gradients, transparencies and layers that look calculated by a machine and decided by a hand.
technique — UV paint on aluminum composite panel · P#01 edition in UV ink on Fabriano Rosaspina 285 g/m²
“Nowadays, everything is manipulable — we don't listen to the radio, we curate our own playlists; we don't watch TV, we choose which shows to stream. The Internet has made information itself configurable.”
Do you own a work from this series? The registry verifies it by inventory code or title, one by one.